Man in the Modern Age


 Man in the Modern Age




 The war affected society severely. It took a lot from human being but  returned almost nothing. As a result, modern man was growing up cut off  from their culture  and tradition. They were known as the ‘lost  generation’ as Earnest Hemingway portrays them in The Sun also Rises  (1926). Many modem writers describe the modern world as the  apocalyptic time .W. B Yeats, who observed both the Victorian era and  the modem era, portrayed the anarchy o f modem time in his poem “The  Second Coming:” 

Turning and turning in the widening gyre 

The falcon cannot hear the falconer; 

Things fall apart; the centre cannot hold; 

Mere anarchy is loosed upon the world, 

The blood-dimmed tide is loosed, and everywhere 

The ceremony of innocence drowned; 

The best lack all the conviction, while the worst 

Are full of passionate intensity. 

The Second Coming


The poem describes the nature of modem era and the death of traditional  
values. For Yeats ,traditional values are more important than the modem values. Culture and traditional values of the society have been destroyed in modem times. It is often said that apocalypse has already arrived in  the modem era:(Dada Surrealism) is the art consequent of Heisenberg’s ‘Uncertainty Principal ,’of the destruction of civilization  and reason in the First World War, of the world changed and  reinterpreted by Marx, Freud and Darwin, of capitalism and constant  industrial acceleration, of existential exposure to meaninglessness of  absurdity (Bradbury and McFarlane ,P27).

     At the end of the eighteenth century. It was then that the stereotype  of masculinity that we know today emerged. However, the contribution  made by previous ideas of masculinity to the modern stereotype cannot  be neglected. If the direction of the idea of masculinity changed in the  late eighteenth century, what did it change from ?The break with old  aristocratic ideas of masculinity was not surprising. Medieval ideals such  as chivalry and institutions such as jousting have continued into the  modern era. Previous ideals of masculinity, limited to the aristocracy,  were largely based on the warrior class; However, the refinement and  rituals of court society had softened this image of masculinity long before  the end of the eighteenth century.  

     However, medieval tournaments were more like war games than rituals  of chivalry, which were, in any case, associated with chivalry in its  decline - when powerful rulers set limits on violence. Some men  themselves have attempted to present alternative views on masculinity  that do not conform to the standard stereotype. Here it was the socialist  intellectuals who constructed what they called the “New Man” who  would continue the tradition of the Enlightenment, which the standard  stereotype in its nationalism and latent aggressiveness seemed to have  rejected. At the beginning of this century, men like Max Adler returned  to Enlightenment ideas put forward nearly a hundred years earlier. These socialists were generally not interested in physical images, but in the  human spirit that the new man should possess. However, these efforts to  change the normative masculine stereotype have failed, even among  grassroots socialists. The stereotype that is our main concern fulfills  many social needs and has become deeply rooted; It dominates the discussion of masculinity (Mosse,P14,17).






Reference


Bradbury, Malcolm and James M cFarlane. "The Nam e and Nature o f  M odernism." Modernism. London: Penguin Books, 1991.


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